Jenks Miller

Guest Spot: Jenks Miller discusses five “heavier than metal” albums

Horseback: The Gorgon Tongue: Impale Golden Horn + Forbidden PlanetHorsebackThe Gorgon Tongue: Impale Golden Horn + Forbidden Planet (Relapse, 5/10/11)

Horseback: “The Golden Horn”

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As a member of both psych-metal band Horseback and folk-rock outfit Mount Moriah, North Carolina-based guitarist Jenks Miller is versatile, to say the least. In our recent review of Horseback’s new album, a combination of two past albums entitled The Gorgon Tongue, Miller’s Jekyll-and-Hyde tendency is lauded — one minute brooding and drone, another supremely melodic, almost poppy. In this Guest Spot, Miller explores his history with the darker, more chaotic side of music, laying bare the essential beauty of the extreme.

Aesop Rock

Concert Photos: Aesop Rock @ Lincoln Hall (Chicago, IL)

The unlikely pairing of hip-hop artist Aesop Rock and indie-pop songwriter Kimya Dawson recently took the stage in Chicago. The two have been collaborating on new material and have already performed together a handful of times this year. The show at Lincoln Hall, which also featured performances from Rob Sonic and DJ Big Wiz (with Aesop, the three comprise the new group Hail Mary Mallon), kicked off with an acoustic set from Dawson. At one point or another in the night, everyone performed with everyone else, breathing new life into old tunes and introducing new tunes to an eager audience. Photographer Tracy Graham captured these shots.

Rob Sonic

This Will Destroy You

Guest Playlist: This Will Destroy You’s Shining Void Mix

This Will Destroy You: Tunnel BlanketThis Will Destroy You: Tunnel Blanket (Suicide Squeeze, 5/10/11)

This Will Destroy You: “Communal Blood”

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Instrumental-rock quartet This Will Destroy You coined a new term to describe the music on its latest album, Tunnel Blanket: “doomgaze.” It’s remarkably apt — the sort of evocative portmanteau that makes music writers everywhere drool — as TWDY’s dense, slow-burning, guitar-driven tunes typically skip past melodramatic meandering and head straight for Boris-like levels of sonic density. We asked the band’s guitarist, Chris King, to make us a playlist, and the doom-gazer dropped this Shining Void on us.

Shining Void Mix
by This Will Destroy You

“Then came human beings. They wanted to cling but had nothing to cling to.”

1. Colleen: “This Place in Time”

Beautiful 18th Century funeral parlour music.

Dosh

Guest Spot: Dosh on the alchemy of instrumental music

Dosh: TommyDosh: Tommy (Anticon, 4/13/10)

Dosh: “Subtractions”

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Percussionist and multi-instrumentalist Martin Dosh, better known as simply Dosh, is known both for his electronic-based solo venture as well as his work with Andrew Bird, with whom he’s toured and recorded. The instrumental track is Dosh’s specialty; “Simple Exercises,” which first appeared on Dosh’s 2004 release, Pure Trash, reappeared on Bird’s Armchair Apocrypha in 2007 as “Simple X” with an addition of lyrics. In the piece below, Dosh explains what drew him to instrumental music and how a few classic, lyric-less tracks continue to inspire his own music.

The Alchemy of Instrumental Music
by Dosh

I think my interest in music and sound really began when i was around nine or 10 years old; that is to say, that is when I really began LISTENING to music, to the ways instruments and voices worked together, trying to separate the sounds in my mind, trying to understand which sounds were being made by which instruments, and even what the people that played the music may have looked like. I can’t recall what the first song that really captured my imagination was, but it was likely by Devo or The Cars, maybe Billy Squier. I’ve always listened to the music first and digested the vocals and lyrics later. When I first discovered Jimi Hendrix and Led Zeppelin, I found the vocals to be distracting. I couldn’t understand why they were there; they seemed like an afterthought.

Once I started playing drums, when i was 15, that was all I really heard when I would listen to a song: the drums. And I played a little bit with some friends, but I didn’t truly discover the joy of volume until I went to college two years later.  I spent more time listening to music in my first two years than I spent doing anything else — usually as loud as possible.  I was lucky enough to have a few friends who had massive record collections, and I listened to everything.

RJD2

Concert Photos: RJD2 @ The Mid (Chicago, IL)

Crates of vinyl, four turntables, multiple DJs, a packed house — it was like something out the distant ’90s. The recent “Mayhem at The Mid” event, featuring headliner RJD2, had no shortage of scratch talent; DJ Intel, Big Once, BRC, Avi Sic, and RM Joint all took a turn at the tables. An impressive light show set off the party atmosphere, and a big projection screen onstage allowed the audience an up-close look at the DJs’ technical abilities. Photographer Jon Shaft went backstage to capture these images.

RJD2

Hauschka

Guest Playlist: Hauschka’s experimental acoustics

Hauschka: Salon des AmateursHauschka: Salon des Amateurs (FatCat, 4/12/11)

Hauschka: “Radar”

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Volker Bertelmann, better known under his stage name, Hauschka, follows in the footsteps of experimental composers John Cage and Erik Satie, experimenting with prepared piano sounds. Bertelmann, who is based in Düsseldorf, Germany, manipulates traditional piano sounds by affixing different objects to the instrument’s inner workings. The resultant sound is one of surprising flexibility, as Bertelmann MacGyvers his way into a world of original sounds and unexplored sonic terrain. Here, he shares a playlist of his favorite experimental, acoustic tunes.

Experimental Music with Acoustic Sound Sources
by Volker Bertelmann

1. NSI: “Track #15” from NSI plays Non Standards

This track is a wonderful example of processing the piano sounds to get into a dark tone area. I like the modulation inside.