POPshop & Spazz Records

Behind the Counter: POPshop & Spazz Records (West Monroe, LA)

Each week, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

POPshop & Spazz Records in West Monroe, Louisiana, is a record store and art boutique run by Brad and Leslie Richman. With a focus on metal and punk, the dual-purpose storefront is, according to its owners, the only store in the area to carry new vinyl releases. For its favorite-record photos, Brad, Leslie, and employee Erica Hijazi went all out, coordinating their clothing (and beverages) with their picks. It’s that attention to detail that makes POPshop & Spazz the focus of this week’s column.

What is Spazz Records, and how does POPshop figure into the equation?

Spazz Records has been in existence for about four years. It began as a small record store and venue for weekly open mic performances, band shows, and other events. We’ve recently moved and expanded to become both a record shop (with used and new vinyl, CDs, and cassettes) and a unique boutique, POPshop, full of local art, handmade goods, and other cool stuff. We still host free monthly all-ages shows for local bands, and participate in local events and charities.

Pop Shop & Spazz Records

What is the musical community like West Monroe, Louisiana?

Our area is made up of Monroe, West Monroe, and several other smaller towns in Northeast Louisiana. There has always been a strong musical presence at any given time, with styles and bands changing through the years. We have outdoor festivals such as Delta Fest and Celtic Fest, as well as year-round schedules of local and touring bands playing at various bars, clubs, and other venues. We are proud to carry several local bands’ releases, and we are active in helping promote local music.

Meshuggah

Guest Spots: Meshuggah on the Drumkit from Hell

Meshuggah: Catch Thirtythree

Meshuggah: “Re-Inanimate” (Catch Thirtythree, Nuclear Blast, 5/30/05)

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Extreme metal band Meshuggah tends to do exactly what it wants. That attitude has spawned some of the heaviest and most progressive metal of the past two decades. On its 2005 album, Catch Thirtythree, its disregard for convention came in the form of programming software, used to produce all of the drum sounds on a long-form score-style epic. Drummer Tomas Haake and vocalist Jens Kidman explained the process of making the album, and the advantages and stigmas of the “Drumkit from Hell.”

The Drumkit from Hell and the Making of Catch Thirtythree

Tomas: Basically, the Drumkit from Hell is stuff we use on a daily basis whenever we’re writing songs, and the main difference with Catch Thirtythree is that instead of me as the drummer learning the songs, we just kept them programmed on the record. There are a few different reasons for that. Mainly, what we wanted to do with that album — this was an idea that we had for probably 10 years — we wanted to do an experimental piece that was just a one-track full-length album. That album was the first and only album that we’ve written as a band, sitting around the same computer, just trying to improvise and come up with guitar riffs and stuff like that.

The Helio Sequence

Concert Photos: The Helio Sequence @ Lincoln Hall (Chicago, IL)

Last week, it was Twin Shadow‘s set during the Tomorrow Never Knows festival; this week, we have photos from The Helio Sequence‘s show at Lincoln Hall. The Portland, Oregon-based guitar-and-drum duo cranked out its trademark psych-pop rock to an eager crowd. Kicking off the show was Chicago-based synth-pop band California Wives, along with sets from Houses and Sun Airway. Check out the photos from contributing photographer Elizabeth Gilmore.

The Helio Sequence

Twin Shadow

Concert Photos: Twin Shadow @ Schubas (Chicago, IL)

As part of the recent Tomorrow Never Knows festival, new-wave pop band Twin Shadow recently played at Schubas in Chicago, along with Fol Chen and Brahms. Adapting the “twin shadow” idea for coverage, ALARM had two photographers on the scene, capturing the show in two different styles. Photo duo Sanchez+Kitahara took the black-and-white route, while Elizabeth Gilmore opted for vibrant color. Check out both sets below.

Sanchez+Kitahara:

Twin Shadow