Whistling, violin-toting troubadour Andrew Bird just finished a makeshift residency at Chicago’s Fourth Presbyterian Church. Bird played three successive dates with Chicago jazz fixture and Tortoise guitarist Jeff Parker. It’s not the first time that the cavernous venue has played host to Bird and his classically inspired pop, and judging by the reception — all three nights sold out far in advance — it won’t be the last.
Contributing photographers Sanchez and Kitahara captured these images of the December 15 performance.
Each Tuesday, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.
Landlocked Music in Bloomington, Indiana has been around since 2006 and has since proved to be a staple in the small college town. The store has hosted a number of notable in-store performances and curates a collection of music to satisfy almost any taste. With its fifth anniversary coming up in March of 2011, we spoke with Landlocked c0-owner Jason Nickey and got the inside scoop on one of the Midwest’s top record stores. A message to any straightforward rock-‘n’-roll bands from Bloomington: get in touch with Nickey; he doesn’t believe that you exist.
What was your motivation for starting a music store? / What is your background in music?
I had no choice, really. It’s the only thing I’m fully qualified to do; I’m otherwise unemployable. All I ever did at any other job I ever had was talk to people about music and records and try to discover new stuff I hadn’t heard yet. So it was probably inevitable. Also, at a certain point, when you’ve acquired a certain quantity of recorded music, it’s the next logical move.
I worked in record stores all through college, and I’ve worked a bit on the distribution side of things, as well as some writing for magazines, websites, etc., and deejaying at college and then community radio. All of those experiences have come into play to some degree. Also, finding a partner was key. It would be near impossible to do this alone. I’m sort of the behind-the-counter guy; my partner is the marketing/social-networking guy, broadly speaking.
Jason Nickey holds the Flamin' Groovies' Shake Some Action
Das Racist occupies a unique place in hip hop. Its free-associative rap goes a mile a minute, riddled with the sort of postmodern deconstructionist lyrics that make publications like the New York Times rave. Much has been written about the group and its perceived seriousness, which, in turn, is turned into more fodder for Das Racist’s rhymes (as evidenced in the track “hahahaha jk,” posted below).
Whatever your opinion of its music, there’s no question that Das Racist wears its cultural and political awareness on its proverbial sleeve. With that in mind, we asked Ashok Kondabolu of the Brooklyn-based trio to name his favorite political rap songs.
1. Public Enemy: “Shut ‘Em Down” (Pete Rock Remix)
My favorite remix of all time. Pete’s short verse is ill (and sort of hilarious), and the beat’s insistence over and under Chuck D‘s screaming-ass voice is incredible. The clipped rapping on here serves really well as some “movement music.”
“I testified
My mama cried
Black people died
When the other man lied”
I mean, that’s an awesome way to start a song about corporate redistribution of wealth!
Veteran prog-pop band Minus the Bear played a show at Chicago’s Vic theater recently with Cursive frontman Tim Kasher as main support. The Seattle-based headliner is touring on the strength of its 2010 album, Omni (Dangerbird, 5/4/10), while Kasher is playing tunes from his first solo album, The Game of Monogamy (Saddle Creek, 10/5/10). ALARM contributing photographer Elizabeth Gilmore was on hand to document the indie stalwarts’ performances.
