Ireland and her music is really what this story is about.
When I think of Irish music, I think of Belfast and seminal artists like U2, Stiff Little Fingers, and Van Morrison who all weave a rich tapestry of the romantic poet traditions as old as the Emerald Isle itself and the modern problems that plague all divided nations.
While many bands clamor to get attention from record labels,
“The Hysterical Festival is a celebration of fearless female humor launching in New York City in Fall 2008. Showcasing the wide range of ways in which women are hilarious, we aim to both entertain and break new ground for women in the comedic arts.”
Lord knows that there are thousands of record labels in the world. So how does one go about separating itself from the rest (other than through awesome music)? That would be with a good name. Thankfully, these labels all have great music as well.


Like many behind-the-scenes songwriters, Jon Brion is better known by music than by name. Much of his musical legacy is known through beautiful accompaniments for songs by Fiona Apple and Aimee Mann as well as scores for Paul Thomas Anderson films.
Chicago’s Catfish Haven pride themselves in living in the past; 2006’s Tell Me was overrun with a soul sensibility ala Joe Cocker fronting an instrumental Phil Spector band circa 1958-1966, while the lovable-via-trashy personaes of George Hunter (vocals/guitar), Miguel Castillo (bass), and Ryan Farnham (drums) coupled with the music perfectly.
This week, ALARM guest columnist Sean-Michael Yoder reviews new albums by internationally renowned DJ