Coalesce: There is Nothing New Under the Sun

CoalesceWhen mathy, groove-heavy hardcore outfit Coalesce remodeled a short disc’s worth of Led Zeppelin tunes in 1999, fans of Zep’s famous riffage banged their heads in a whole new way. Guitarist Jes Steineger acted as a down-tuned Jimmy Page, former drummer James Dewees flawlessly recreated Jon Bonham’s beats, and, most importantly, vocalist Sean Ingram created a brutal presence in place of Robert Plant’s pipes.

Frank Black Records Live for iTunes

Frank Black, who seems to lately be embracing dichotomy, has recorded a five-song session with his touring band exclusively for iTunes. This comes on the eve of the full-length release, due out in September, by his doppelganger Black Francis.

Weekly Burlesque: Interview with Margaret Cho

In the latest installment of Weekly Burlesque, accomplished burlesque performer/blogger Jo Weldon converses with comedian/actress Margaret Cho, not exactly known for her work as a dancer. But Cho, the stand-up comic turned dancer and variety show creator, continues to prove that she’s quite the renaissance woman.

Coliseum: No Salvation

ColiseumNo Salvation, the first release on Relapse Records by hardcore group Coliseum, finds this Louisville trio pushing the limits of their inner speedometers and combining the thunder of Motorhead with the passion of a young Ian MacKaye.

Destroy All Music to Showcase Vital Punk Imagery

DarbyDawn Wirth, one of only a handful of photographers to document the first wave of LA punk, is set to exhibit her body of work from the era for the first time ever. Wirth, who spent her youth being pummeled at the front of crowds to get the now-historic up-close live shots of bands like The Weirdos and The Germs, is credited with capturing the essence of ’70s punk.

Minus the Bear: Planet of Ice

Minus the BearFollowing 2005’s Menos El Oso and a remix album released a year later, Seattle’s Minus the Bear return with their best release to date. With Planet of Ice, the indie-synth wizards push onward without keyboardist Matt Bayles and deliver a slightly progressive album of their signature sound.

Arts in Corrections: San Quentin

sanquentin1a.jpgFor our summer issue, ALARM Arts Editor Buck Austin examined the role of artistic expression in the rehabilitation of inmates at San Quentin State Prison. His findings, to say the least, were compelling.