Best Albums: Blueprint, Death, Eels
Blueprint: Respect the Architect
Death: III
Eels: The Cautionary Tales of Mark Oliver Everett
Blueprint: Respect the Architect
Death: III
Eels: The Cautionary Tales of Mark Oliver Everett
In continued support of last year’s excellent Trouble Will Find Me, The National played four consecutive shows at The Chicago Theatre last week.
We scoured our music library and judged the shit out of last month’s album covers, compiling a list of releases that make us want to click play without even hearing the first track.
If you’ve been wowed by the projections at a Sufjan Stevens or St. Vincent show in the past few years, then you’ve witnessed the work of visual-performance designer Deborah Johnson, the founder of multidisciplinary New York studio CandyStations.
A few years after his band re-introduced a battle cry for a World Series-winning franchise, Red Sox super-fan and Dropkick Murphys bassist Ken Casey replicated the original sports pub, McGreevy’s 3rd Base Saloon. Here Casey talks about life as a pub owner with a place in baseball history.
Improv comedian/musician Reggie Watts talks alien invaders, invisibility cloaks, and the ultimate period piece.
We sent photographer John Lou Miles to a $20 million mansion in Santa Monica with Sloan Wolf and Vice Suicide. This is what happened.
The Chicago-based American-heritage shop designs a guy-friendly Men’s Lounge at the event’s preview night, complete with vintage motorcycles.
The Birds of Satan: s/t
Lilacs & Champagne: Midnight Features Vol. 1: Shower Scene
Fucked Up: Year of the Dragon EP
Pharoahe Monch: PTSD
Josh Carter and Sarah Barthel, the Greenwich, New York-bred duo known as Phantogram, brought their unique brand of pop to a sold-out crowd at Chicago’s Riviera Theatre Thursday night.
Trollfest: Kaptein Kaos
Squarepusher x Z-Machines: Music for Robots
The Faint: Doom Abuse
Off!: Wasted Years
Jozem Van Wissem / Sqürl: Only Lovers Left Alive soundtrack
The singer and guitarist brought her striking live show to the Windy City, complete with Talking Heads-like choreography and a tribute to Kurt Cobain.