Todd Snider

Guest Spots: Singer/songwriter Todd Snider’s favorite musical storytellers

We asked Todd Snider, to tell us about some of his favorite musical storytellers. What we got was a collection of musings on the writers and performers who have informed his stage persona, which is captured on his new double-disc live album, The Storyteller (Aimless, 2/1/11). Read on for some of “The Storyteller’s” favorite storytellers.

My Five Favorite Musical Troubadours
by Todd Snider

1. Bob Dylan

For me, when it comes to being a fan of a troubadour, I have to laugh with you before I’ll cry with you, simply because most troubadours expect you to cry over their journal entries with them. Most troubadours are awful people. Bob, however, is not. I think he’s America’s finest contribution to the world, of any kind. He does not have a song I don’t like, and while he doesn’t talk much on stage, when he does, it’s precise, funny, wise, and everything else. There really is no point in anyone else doing this troubadour thing. Hell, I once paid for a tape of Bob arguing on the phone…and I thought it was a great album.

SPACE Gallery

Gallery Spotlight: SPACE Gallery

When Nat May founded SPACE Gallery in Portland, Maine back in 2002, timing was everything. After one of the city’s few indie venues shuttered, May decided to fill the void by creating a multipurpose gallery and performance venue that would cater to both Portland’s indie art and music scenes.

May’s intent was to offer gallery patrons additional events to attend and allow regular concertgoers to check out SPACE’s art offerings. “Part of our goal is to get people to come in for one thing and see something else that they didn’t know that they were interested in,” he says.

SPACE Gallery

Paul Cary

Pop Addict: Paul Cary’s Ghost of a Man

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

Paul Cary: Ghost of a ManPaul Cary: “The Curse of China Bull” (Ghost of a Man, available for free at Candy Dinner)
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Music, like any form of art, is at its best when it is evolving, transforming, and shifting the way that we think about a certain style or genre, altering our perception of what constitutes good music. Only by looking forward can we free ourselves from resuscitating the same old thing.

However, an album like Ghost of a Man, the latest effort from Chicago-based rocker Paul Cary, is enough to turn that notion on its head. Ghost finds Cary looking back, evoking bluesy backwoods foot-stompers with rough edges and sharp teeth. He’s not simply regurgitating. Cary’s howling voice and raw guitar playing puts a modern twist on the genres he’s exploring, giving them a fresh start.