Twenty-one studio full-lengths could spell one thing: redundancy. But the Melvins, whose back catalog reads like the Library of Congress, has recognized and conquered this plague with two tools in hand: reinvention and unpredictable match-ups.
As if writing with Lustmord and Jello Biafra wasn’t enough, Buzz Osborne and Dale Crover recently joined forces with famed Mr. Bungle bassist Trevor Dunn to form “Melvins Lite.” The trio’s first effort, Freak Puke, has it all: bowed and plucked upright bass, metal riffs, classic-rock flourishes, pick harmonics, punishing drums, and Osborne’s distinct vocal delivery. And to bring it to the masses, the band undertook an ambitious fall tour of the 50 United States plus Washington, DC, in 51 days. We chatted with King Buzzo about the band’s (latest) new direction.
ALARM is back in print, and being the shameless self-promoters that we are, we’d love if you bought a print subscription. But let’s say that you have one of these newfangled “iPads.” Let’s also say that you like free things, particularly those that pertain to awesome music and cultural stuff. In that event, might we direct you to download ALARM #40 (Nov/Dec 2012) for free?
Go here to read about and see what’s inside #40, which includes interviews with and stories on Soundgarden, Refused, Converge, Melvins, Dirty Projectors, Bloc Party, P.O.S, Squarepusher, Fang Island, and more.
Then go to bit.ly/ALARMiPad and click on “view in iTunes” to download that bad boy for $0.00. Mom might not love loud music, but she digs thriftiness. Make mom proud.
After relaunching for free this summer on the iPad, ALARM Magazine is back in print with more awesome shit. We’re psyched to have the mighty Soundgarden on the cover of our Nov/Dec issue, which includes interviews with and stories on Converge, Refused, Melvins, Dirty Projectors, Bloc Party, P.O.S, Squarepusher, Fang Island, and more.
If one is company, two is an all-out riot. That’s the reigning message championed by this newest effort from Indian Handcrafts, the Ontario-based duo of Brandyn James Aikins (drums) and Daniel Brandon Allen (guitar).
[audio:http://alarm-magazine.com/wp-content/uploads/2012/06/Melvins_Leon_vs_The_Revolution.mp3|titles=Melvins: “Leon vs. The Revolution”]
It’s another year, another set of releases from the incomparable Melvins, whose five-song EP The Bulls & The Bees (with its Big Business lineup) preceded Freak Puke, a new full-length album as Melvins Lite with Mr. Bungle bassist Trevor Dunn.
[audio:http://alarm-magazine.com/wp-content/uploads/2011/07/melvins_thewaterglass.mp3|titles=Melvins: “The Water Glass”]
Last year, sludge-rock band the Melvins released its 20th album (and third since linking up with Big Business members Jared Warren and Coady Willis). That album, entitled The Bride Screamed Murder, is emblematic of what the band has done its whole career: tweak its signature sound — part anthemic classic rock, part avant-garde heaviness — to present something entirely new yet quintessentially Melvins. That willingness to shake things up has been a major factor in the band’s longevity.
After last year’s release, the band undertook a tour in early 2011, playing a different album from its back catalog each night. As the saying goes, you get what you give, and in this case, the Melvins’ 30-year history of experimentation has continually rewarded the band with new experiences. Dale Crover, drummer and founding member, recounts the band’s some of the most memorable recent experiences below.
Endless Residency Tour by Dale Crover
The Melvins did a residency every Friday night last January in Los Angeles. To make each show unique, we decided to play a different record from our ever-growing catalog of releases. It seemed to go over really well, and since we took the time to learn all these records, we decided to take it on the road. Here are some highlights from the “Endless Residency” tour.
Austin Texas: Austin shows are always great, except for the heat. It’s 100 degrees out, and of course we’re playing outside! The show goes well, but by the end, the “costume” that I’m wearing feels like a soaking-wet sleeping bag. The next day we meet up with our friends from the band Honky to get lunch. Everyone I know that lives in Austin says that the BBQ downtown is average, and they know where the best is. We drive miles out of town to a place in Spicewood, Texas, called Opie’s BBQ. We’re greeted by a guy who opens a large trough with 10 different kinds of smoked meat. We let the Honky boys order for us, then sit down to stuff our faces. It was certainly worth the trip, and I highly recommend the spicy corn! After the feast, we stop by Willie Nelson‘s recording studio. Honky just recorded there. No Willie, but we got the full tour, including seeing the tape vault with Red Headed Stranger master tapes! I was also highly impressed by the nine-hole golf course next door. Maybe we’ll do our next record there!
Isis: “Grinning Mouths” from Clearing the Eye live DVD (Ipecac, 9/26/06)
In June of 2010, post-metal quintet Isis called it quits following a farewell tour. The LA band was one year removed from its final studio release, Wavering Radiant, and feeling that it didn’t want to “push past the point of a dignified death,” its members parted ways right before the release of a split EP with Melvins.
Now the band is giving wistful fans another taste of its melodic sludge rock. On May 31, Isis posthumously and digitally reissued the first of its five live album, which originally were released over the span of 2004 to 2009. The rest are being rolled out in two-week intervals, with the third becoming available this Tuesday, June 28. ALARM recently spoke to drummer Aaron Harris about the reissues, the band’s personal significance, and what the members have been doing since the breakup.
What was the catalyst in putting together the live album series?
We wanted to have something we could offer to the fans. We were getting a lot of live recordings coming in from fans that had been to our live shows, and it was just starting to pile up, and we figured we should do something with all these live recordings. So we started sifting through them and figured that we would do a little live series, release it ourselves, sell it at our shows, and make it a limited, special thing.
We did small runs of them, and once they were gone, they were gone. Recently, we decided that we would make them available digitally and reissue them. So that’s what we’re doing now. They’re digital reissues for people that weren’t able to get copies the first time. It’s just kind of a cool idea to strengthen the fan/band bond, something between us and the fans.
What do you miss about touring and playing with Isis?
The thrill and the energy of playing live. I don’t know if it can be replaced by anything else. There’s something special about touring and visiting your favorite cities and playing shows in some of your favorite spots and getting to see old friends. It’s something I’ve done since I was a teenager, so it was part of my life, and I guess, in a sense, it’s part of me, and it’s not there anymore. So I definitely miss it.
(The) Melvins: Freak Puke (Ipecac, 6/5/12)
