Flying Lotus: Until the Quiet Comes (Warp, 10/2/12)
“Putty Boy Strut”
Originally sharpening his teeth with bumper music for Cartoon Network’s Adult Swim, electronic producer Flying Lotus garnered notoriety that bolstered the success of his 2006 debut, 1983. Now with four full-length albums, seven EPs, and countless singles and collaborations, it’s clear that, in retrospect, Steven Ellison has skills that only can be inherited, not taught.
On a weekly basis, The Groove Seeker goes in search of killer grooves across rock, funk, hip hop, soul, electronic music, jazz, fusion, and more.
Austin Peralta: Endless Planets (Brainfeeder, 2/15/11)
Austin Peralta: “Capricornus”
[audio:https://alarm-magazine.com/wp-content/uploads/2011/03/02-austin_peralta-capricornus.mp3|titles=Austin Peralta: “Capricornus”]Austin Peralta is a 20-year-old jazz pianist. A former child prodigy, Peralta has already led two record releases abroad for Sony Japan. He recorded his first album, Maiden Voyage, at age 15 with a trio that included legendary bassist Ron Carter. And his sophomore effort, Mantra, was recorded mere months later with a quintet including Buster Williams. If that’s not enough to convince you of Peralta’s skill level, a stage shared with Chick Corea and Hank Jones at the 2007 Tokyo Jazz Festival will. Add in a number of prestigious awards and it’s clear that the young LA native has chops, to say the least.
For his third album, and first US release, Endless Planets, Peralta joined the Flying Lotus-run Brainfeeder label. It’s a progressive step forward in Brainfeeder’s legacy, one that seems natural, given Flying Lotus’ (a.k.a. Steven Ellison) great-nephew relation to jazz icon Alice Coltrane. It’s a label that’s home to artists who have been using jazz sounds and textures to create some of today’s most genre-forging music.
